Category Archives: Economics
David Korten, author of books like “When Corporations Rule the World” and “The Great Turning: From Empire to Earth Community,” is one of our wise elders, if anyone is. He has an article in the current “Yes!” magazine that cuts through all the chatter and gets us back to what is perhaps the key question: Why are we knowingly heading toward the extinction of our (and many other) species? The answer is probably that one of the traits of our species is to focus on the short rather than the long term. But, like Korten, I believe we can, if we really want to, make some very important, much saner choices that will enable us to avoid falling off the cliff. As Korten says in his article, “Transformation begins with clarity on the nature of the choice that confronts our species.”
Korten believes we’ll survive only if we answer the following question: “Why does the current system deprive so many of opportunity for a fulfilling life [or life at all] that could and should be everyone’s birthright? Our prevailing cultural choices favor extreme individualistic competition for material goods. Our institutional choices reward the destruction of Earth’s capacity to support life and concentrate control by fewer and fewer people over what remains of that capacity. The many are thus pressed into lives of desperate servitude to the few. The obvious alternative begins with the recognition that individually and collectively, we survive and thrive only as interdependent, sharing, and mutually contributing members of Earth’s community of life. We’re better served by working together to create a world that works for all, than by competing for what remains of a shrinking pool of real [natural] wealth. Our defining cultural value must become cooperation. And we must transfer power from institutions that reward predatory competition to ones that facilitate and reward cooperation in service to the common good.”
Of course, the big question is how to make these changes? I think it’s pretty obvious that we earthlings can only do it by creating grassroots, bottom-up democracies all over the world like the kind the United States has always crushed at home and abroad. Of course, other regimes have and are crushing democracy, too, but I focus on our country because that’s where I live and because the US is so powerful. (Check out other articles on this site for examples of its democracy-crushing — US policy in Nicaragua and the rest of Central America comes to mind — as well as ideas about creating real democracy. One definition of the latter would be a system in which if a decision affects you or your community, you have real input in making it.
These are changes that can only take place in the long term. So take your eyes off most of the short term — like the daily “news” stream — and focus on what makes it all happen: what really matters.
Speaking to the crowd of Poor People’s Campaign demonstrators in front of the Supreme Court building 6-13-18, Reverend William Barber II, co-leader of the campaign, said, “I heard a friend of mine. He’s dead, but I heard him in a book. He was gay. He’s a powerful brother. And he said something like this in the 1930s, in the middle of traumatic times, that still has relevancy today to us:
O, let America be America again—
The land that never has been yet—
And yet must be—the land where every person is free.
The land that is mine—the poor man’s, the Indian’s, the Negro’s, ME—
Who made America,
Whose sweat and blood, whose faith and pain,
Whose hand at the foundry, whose plow in the rain,
Must bring back our mighty dream again.
Call me any ugly name you choose—
But the steel of freedom does not stain.
From those who live like leeches on the people’s lives,
We must take back our land again,
I say it plain,
America never was America to me,
And yet I swear this oath—
That America will be!
It’s a good thing I listen to selected episodes of “Democracy Now” via podcast, or I would have missed last Wednesday’s incredibly moving story about the Poor People’s campaign, barely mentioned in the New York Times. I hope you’ll go to http://www.democracy now.org and listen too. The story of the arrests (for demonstrating in front of the Supreme Court, which had just upheld suppression of voter rights in Ohio), what participants had to say, and the songs they sang (“Everybody got a right to live”) had me on the verge of tears. Go to www.poorpeoplescampaign.org and volunteer to join the campaign and/or donate. I did both.
This campaign inspires me for two powerful reasons: its goals not only need to be realized, but when they are the promises of my era, the ’60s, will be fulfilled (this campaign is a continuation of Martin Luther King, Jr.’s 1968 Poor People’s Campaign). Another key podcast, a speech by Black Panther founder and leader Bobby Seale broadcast on June 7th, is available on Alternative Radio (www.alternativeradio.org). Seale’s ideas are right in line with the Poor People’s Campaign. Power to the people!
As a student of history, particularly Russian history, I was curious about the new film “The Death of Stalin,” then appalled when I did some online research and found out that it’s a slapstick comedy about officials grasping for power after Stalin died in 1953. What’s funny about something like this? Nothing. Also shocking is the way the film gives absolutely no context about Stalin, one of the key historical figures, for good or ill, of the 20th century. As Peter Hitchens, a London reader of The Guardian wrote in that paper’s letters section on 10-27-17, “As far as I know, this is the first time a mass-market film has dealt with this event. We may be saturated with serious drama and documentary material on the Nazis and the end of Hitler, but the equivalent evils of the Stalin nightmare haven’t received anything like the same treatment. For most who see the film, it will be the first time they’ve ever heard of these strange events. And what do they see? An intensely serious moment in human history played for laughs, with lavatory humor and plentiful use of the failed comedian’s standby, the F-word. We’re so free and safe that we can hardly begin to imagine a despot so terrifying that his subordinates are even afraid of his corpse. This trivial and inaccurate squib doesn’t help us to do so. Perhaps it’s the comedians who need to be satirized, by some fitting seriousness about a serious subject.”
The only critical review I found of the film online was one posted on the World Socialist website (www.wsws.org) on 3-9-18. David Walsh describes it as “a fatally ill-conceived ‘black comedy’ about the demise of the gravedigger of the Russian Revolution, Joseph Stalin, in March 1953. The film is not so much maliciously anticommunist as it is, above all, historically clueless. Iannucci presents the various surviving Stalinist officials, Nikita Khrushchev, Georgy Malenkov, Vyacheslav Molotov, Anastas Mikoyan, Nikolai Bulganin, and the rest, all of whom had gallons of blood on their hands, as a largely ineffectual bunch of bunglers and toadies, jockeying ‘comically’ for position. The betrayal of the Russian Revolution was one of the greatest tragedies in world history [not to mention the planned famine in Ukraine and Stalin’s purges, which together killed more people than Hitler]. Iannucci’s film doesn’t begin to confront the vast significance of events in the Soviet Union.
Taken in and of themselves, there are amusing lines and moments, until one remembers the general context and the historical stakes, and the laughter freezes in one’s throat. All the actors are fine at doing what they’re asked to do, but what they’re asked to do is terribly off the mark. It’s impossible to make sense of a film like ‘The Death of Stalin’ except in the context of the disastrously low level of historical knowledge or interest that exists in the arts at present.
Iannucci is a Scottish-born television, film and radio writer and director, responsible for ‘I’m Alan Partridge’ (along with Steve Coogan), ‘The Thick of It,’ ‘In the Loop,’ and ‘Veep,’ among other efforts, and under the right circumstances, he’s capable of creating funny, pointed satire. When it comes to bringing out the dishonesty, careerist opportunism, and stupidity of garden-variety politicians, media personalities, and other establishment figures, he probably has few equals today. However, when the writer-director steps outside the fairly narrow confines of parliamentary and entertainment industry backroom shenanigans, he falters badly. The second half of ‘In the Loop,’ which satirized the British government’s complicity in the Bush administration’s drive to war in Iraq, is politically blunted and largely unfunny. HBO’s ‘Veep,’ too, about a fictional female US vice president, finds Iannucci over his head. For all its coarseness, it’s quite timid in its portrayal of the ugliness of American politics, with little mention of war policy, drone strikes, and other things that surely consume a great deal of a real president’s focus and attention.
Art and comedy have to rise to – or at least approach – the level of the events or personalities they’re treating. That is, there needs to be some artistic and intellectual correspondence between subject and object. Iannucci’s film is based on a [non-comic] French graphic novel series by Fabien Nury and Thierry Robin. Iannucci has undoubtedly added his own touch. And it’s simply inappropriate and, at times, grotesque.”
I believe history, as the backstory to current and future events, is the key to understanding where we are and where we could go, and I’m more than saddened by the preponderant lack of knowledge of or interest in it today – probably because of the boring, textbook-centered way it’s taught in high school. Good historical novels and films can make up for some of this, but bad ones, like “The Death of Stalin” just deepen the ignorance. Take the time to be curious about your world, and how it came to be the way it currently is. Find important history books by reading reviews on Amazon, then buy or borrow and read them!