Category Archives: Relationship
Editors Anna Tsing, Heather Swanson, Elaine Gan, and Nils Bubandt introduce Arts of Living on a Damaged Planet (2017) by saying that “the deep time of geology, climate, and natural science is collapsing into the historical time of human technology.” Our species, Anthropos, “has become an overwhelming force that can build and destroy, birth and kill all others on the planet.”
We can counter this process by noticing what Deborah Bird Rose, in Chapter 3, calls “shimmer,” however. Rose notes that what’s occurring in the extinction crisis is more dire than the numbers of extinct and threatened species indicate. Because everything is connected, “relationships also unravel, mutualities falter, and whole worlds of knowledge and practice diminish…Shimmer, the ancestral power of life, arises in relationship and encounter, so extinction cascades drag shimmer from the world. The loss is both devastating and barely comprehensible…
Shimmer is an Aboriginal aesthetic that calls us into multispecies worlds. I use the term ‘aesthetic’ in a nontechnical way to discuss things that appeal to the senses, things that evoke or capture feelings and responses. Flowering plants, for example, have lures that both entice one’s attention and offer rewards.
In his classic essay ‘From Dull to Brilliant,’ anthropologist Howard Morphy discusses art in the Arnhem Land region of North Australia. His focus is on the Yolngu term bir’yun, which translates as ‘brilliant’ or ‘shimmering.’ When a Yolngu painting has just its rough shape, the artists describe it as ‘dull.’ The crosshatching that comes next shifts the painting to ‘brilliant,’ and it’s the brilliance of the finely detailed work that captures the eye. Bir’yun is the shimmer, the brilliance, a kind of motion that brings you into the experience of being part of a vibrant and vibrating world, the ephemeral dance of it all.
In contrast to Morphy, I didn’t work with people who were visual artists; I encountered people who focused on ritual performance, connecting bodies and earth through dance and song. In music, there are multiple temporal patterns, and through them one can also experience shimmer.” The seasons, from the dullness of the dry to the shimmering new growth of the wet, pulse this way, too. “Absence is potential rather than lack. This is where one grasps the awful disaster of extinction cascades: not only life and life’s shimmer, but many of its potentials are eroding…
The term bir’yun, which doesn’t distinguish between domains of nature and culture, is characteristic of a lively, pulsating world, not a mechanistic one – a world not composed of gears and cogs but of multifaceted, multispecies relations and pulses. To act as if the world beyond humans is composed of ‘things’ for human use is a catastrophic assault on the diversity, complexity, abundance, and beauty of life.”
I like Joanna Bock’s take on the #MeToo phenomenon, published October 19th in Yes! Magazine, except that she calls it a “movement,” which I think is a much bigger thing than just a Facebook/Twitter hashtag. Here are the main points in the article with which I agree:
“Movements like #MeToo can be powerful in many ways. But we limit their potential and pervert them when we insist that everyone get in a box and become one of three things: perpetrators, victims, or allies. How many of us don’t neatly fit any of those categories? How many of us are weakened by the divisions?Something similar happens when we talk about race and racism. People of color are the victims. Outright bigots are the villains. And among the rest of us, we make a mad dash to position ourselves as allies. To be allies, we have to publicly condemn the racist ‘other.’ [Or his/her behavior…]
#MeToo has given voice to the rage many female friends of mine feel at specific perpetrators of harassment and violence in their own lives. But the truth is that no one human being is to blame for this sickness of the culture we’re a part of. And our scramble to crucify the Harvey Weinsteins and Donald Trumps of the world only obfuscates the issue, just as our scramble to line up simply as victims does.
In this oppressive system – where women’s bodies are not safe, where people of color’s bodies are not safe, and where women of color’s bodies are unspeakably violated terrain – we are all suffering. And in this system, where men’s internal and emotional landscapes have been violated from birth, as well as the bodies [and minds] of women, we are all victims – playing out our roles or resisting them when and where we can. We’re enormously alienated from one other. Our most radical option is to undo that alienation, but easy labels and unjust oversimplifications deepen it. We’re all responsible for saving each other.”
I agree with the gist of Bock’s message, but want to say that I Facebook-posted “Me too” to help show the extent of the problem and to show solidarity with other women similarly violated – not to express anger at my rapist, though I don’t go so far as to feel empathy with him. I don’t feel anger at men in general either, and deplore the boxes our society tries to put them in. My main concern is that we all recognize the extent of our sexist, racist, and violent, war-mongering culture as a necessary prelude to changing it for the better. It seems kind of ironic to say this while we have a racist, sexist, war-mongering president, proud of his selfishness and sexual predation, but maybe that’s what’s opened up the wounds – and the necessary conversations.
Let’s use empathy in those conversations – really listening to what others need to express. Some of it may be ugly, even poisonous. But feelings are never wrong – only behavior can be – and the poison needs to be exposed and transformed, however gradually, in love and acceptance. We’re challenged as speakers to be that trusting and honest and as listeners to be that compassionate. Alienation can become connection and caring community, but we can’t skip any of steps.
When “Democracy Now” interviewed two global feminists – Eve Ensler, creator of The Vagina Monologues, and Congolese activist Christine Deschryver – on 2-14-17, Ensler said that “watching Trump and the people he surrounds himself with, we’re seeing the escalation of rape culture, a predatory mindset.” She added that if so many Americans “felt OK electing a self-confessed sexual assaulter” whose principal advisor, Steve Bannon, “is known to have beaten his wife, we know we haven’t really gotten to the root of rape culture in America. That predatory mindset is affecting everything. We’re gutting regulations on air, on water, and on the earth. We’re escalating extraction. We’re seeing a disparaging of immigrants. This is all part of a predatory mindset – one person in power who does what he wants without the consent of the people around him – exactly what rape culture is. You seize people’s bodies, you take them against their will, and you do whatever you want to them. We bomb Iraqis and destroy people in countries around the world, and then refuse to give them admission and safety.”
On the possibility of Trump signing an executive order that would deregulate conflict minerals, Deschryver said such an order would bring the Democratic Republic of Congo “back 20 years, legitimating all the perpetrators and rapes, and strengthening Central African dictators who want to resume plundering Congo, along with multinational corporations.” Ensler compared this process with the “way oil companies are using state violence in Standing Rock. She then described the Women’s March the day after Trump’s inauguration as “an unbelievable outpouring of women demanding, speaking up for, and cherishing and knowing what their rights are. What did Trump do a day later? He destroyed reproductive rights and the support of NGOs who were offering a discussion about abortion around the world. That was his cynical, violent response to 5 million women and men rising around the world. And that is rape culture. It was like, ‘Really? You think you’re going to have power? Watch what I’m going to do the next day.’ So many of these executive orders are violent acts saying in no uncertain terms, ‘I do what I want, regardless of your needs, regardless of what you want in your body or your life, and I’m going to continue to do that.’”
Deschryver said this is why “grassroots women from all over the world have to be leaders, protecting Mother Nature, because we are Her.” At Deschryver’s project, City of Joy, in Bukavu, eastern Congo, “we receive 90 young women to heal their bodies and minds, and we train them to be leaders. Most of them were raped by militias, by the police, by their partners. And they’re all survivors of atrocities. They stay there for six months, transforming their pain to power. After that, some of them go to our farm to transform pain to planting. There we live with Mother Nature and give back to Her. I think City of Joy has to be an example for the whole world, because right now I think the grassroots women are the ones who’ve paid the most for everything that’s happened. Look in Dakota. Look in Congo, everywhere.” To read more about City of Joy, go to http://drc.vday.org/about-city-of-joy/
When Amy Goodman noted that Steve Bannon had called progressive women, quote, “a bunch of dykes,” Ensler said, “That doesn’t surprise me at all. I think this entire cabal are men who are terrified of women on every level, particularly powerful women. We only have to look at the censoring of Elizabeth Warren to understand that. They’re terrified of black people. They’re terrified of immigrants. They’re terrified of indigenous people. They are terrified of anybody who isn’t a white man or a white man billionaire or white man corporate. In many ways, this is the last major gasp of the patriarchal dragon, and last gasps can be deadly. But they’re not going to move us back to the past. Women aren’t going to stand for having rights being taken away. African Americans aren’t going to stand for it. Immigrants aren’t going to stand for it. We’re too far out to go back in. So now what we’ve got to do is go much further than we’ve ever gone before.”
The women then looked at the recent silencing of Senator Elizabeth Warren, who tried to read into the Senate record a 1986 letter written by Coretta Scott King, opposing attorney general nominee Jeff Sessions when he was nominated for a federal judgeship. First, Amy Goodman noted that “Senator Warren was then prohibited from speaking for the remainder of the debate, which was hours-long. Male senators, her Democratic allies, like Senator Sanders, Senator Sherrod Brown, and Senator Merkley, were allowed to read King’s letter without rebuke. What’s also interesting is that when Coretta Scott King sent her testimony 30 years ago to the Senate Judiciary Committee chair, Strom Thurmond, expecting it was going to be entered into the Congressional Record, he never entered it.”
“Right,” agreed Ensler. “The only way Coretta Scott King’s letter could be entered was through the voice of white men. I think it was really disturbing that happened, when Senate Majority Leader Mitch McConnell told Warren to take her seat. It was an incredibly infantilizing moment, his attempt to take a woman of such stature and voice and power and reduce her to nothing. We’re not going to take our seats. That’s not going to happen now. The attempt by this administration to reduce women, to make women feel small, to feel that they don’t exist, to embarrass and shame them, won’t work. We’re past that point. As terrible as all this is, what’s really exciting is to see what this is evoking in people all across this country and around the world. We’re not only going to persist, we are rising up. That’s what we’re seeing this year in One Billion Rising, a global campaign through dance and resistance to fight all the forms of violence, whether it be the violence of racism or climate change or economic deprivations or workers’ rights. We’re seeing more risings this year across the planet, more militant risings, more joyful risings, more fierce risings, more specific and determined risings, because what we’re all feeling is not only are we going to not give up on the rights we have, but this is an opportunity to reformulate our progressive world into a much stronger, more unified, more visionary, more prophetic movement than we’ve ever had before and to really understand that the struggle for antiracism, the struggle against the destruction of the Earth, the struggle for women, the struggle against oppression – these are all one struggle that we’re part of. I’m very encouraged, in the little towns and places all across America, to see people in Texas standing up for Muslims, to see artists doing beautiful posters. There’s more creativity, more outpouring that’s going on right now. I want to finish by saying I think the resistance is the creation. As we’re resisting, we’re beginning to not only mobilize ourselves into a unified force, we’re actually creating the vision of the world we want.” For more on One Billion Rising, go to http://www.onebillionrising.org
“After 15 years of our movement, we were able to put out a call that was an invitation for women and men to rise and dance and resist violence against women across the planet. And that call was taken up, with each community making it their own. Each community took it to the places they wanted to take it and created this global solidarity and force of energy that really made violence against women central stage. Five years ago, we put out this global invitation for women to rise and dance at the places where they wanted to see justice, where they wanted to see violence end. It was massive, and every year, it’s grown and grown. It’s now in 200 countries. Twenty-two states in India are rising, 131 cities in Germany, 90 cities in Poland. We’re seeing all kinds of people – trans women, workers, indigenous people – everyone’s beginning to use this idea of dance resistance, because dance is so powerful. People are being traumatized every day by these executive orders, by horrible statements, by hateful, aggressive reactions. And I think one of the things we have to be very careful about is that we don’t get hooked on a cycle of trauma, retrauma, trauma, retrauma. We have to also come into our bodies and dance and feel our sexuality and feel our joy and feel our energy, because that will give us the fuel to keep fighting and keep resisting and keep creating the way we want to go.”
Deschryver added, “I think Eve had the idea when she was visiting Congo, and she saw all the raped women dancing. That’s what we do in Africa. It’s a way to express our feelings. We have One Billion Rising in Congo, and we rise also for Mother Earth, because Congo is the second lung of humanity. Without the forests in Congo, I think there is no more life all over the world. And we rise also for and with the women. All over DRC they use the word ‘rising’ in English. Every time they see something they disagree with, it’s like, ‘OK, we will rise for this.’”
Ensler: “In New York, on February 14th, we’re having an Artistic Uprising for Revolutionary Love. We’ve joined forces with a wonderful woman named Valarie Kaur and Reverend Barber, who have launched this campaign called Revolutionary Love. And we’ll be rising in Washington Square Park from 6:00 to 9:00. There are 25 amazing artists, a gospel choir, drummers, singers, and poets. And we really want everyone to come, because, really, we need art more than we know. We only have to look to Melissa McCarthy, her brilliant portrayal of Sean Spicer, and see the way artists and irony are changing consciousness.”
Before I start, I want to remind you that what I try to do in many of my posts is give you notes on reading I think is important. This way, if you don’t have the time (or money) to get the article or book I’m recommending, you can read my notes and get the gist, including the most significant — and beautiful — quotes. In this case, the notes are long and dense, but so is the book — We Gon’ Be Alright: Notes on Race and Resegregation (2016) by Jeff Chang — the best picture of our racial crisis I’ve seen recently. Our race problem is our key problem. If we don’t solve it, we’ll never have anything good. Economic inequality, jobs, health care, climate change, and a militaristic foreign policy are important, too, but they can only be addressed together, by all of us, undivided by race, religion, gender, or politics. As long as we’re racially divided, we can be politically manipulated by demagogues like Trump. Okay — lecture over. Here are the notes…
Beginning with what he calls the “crisis cycle,” Chang says, “We’re living in serious times. Since 2012, the names of the fallen – Trayvon Martin, Michael Brown, Tamir Rice, Freddie Gray, Sandra Bland, Laquan McDonald, the list never seems to cease – have catalyzed collective outrage and grief. In the waning years of a Black presidency, we saw a proliferation of images of Black people killed in the streets and the rise of a national justice movement to affirm that Black lives matter. Young people who grew up exemplars of post-1965 American diversity while attending schools that were dramatically resegregating have taken to the streets and the university quads to march against their invisibility and demand attention to questions of equity. Even the machines of our culture industries, which for the past twenty years have tried to assure us that our rainbow nation is a happy one, have found their gears ground down by popular protests led by people of color against their lack of access, representation, and power. After the non-indictment of officer Darren Wilson in Ferguson, Missouri in 2014, the idea that there had ever been a post-racial moment has come to seem desperately naïve. Meanwhile, Donald Trump focuses the anxieties loosed by white vulnerability onto the bodies of migrants, Muslims, Blacks, women, and all the others who don’t deserve the gift of America. It seems clearer than ever that we as a nation are caught in a bad loop of history – from 1965 to 1992 to now. Race makes itself known in crisis, in the singular event that captures a larger pattern of abuse and pain. We react to crisis with a flurry of words and, sometimes, actions. In turn, the reaction sparks its own backlash of outrage, justification, and denial. The cycle turns next toward exhaustion, complacency, and paralysis. And before long, we find ourselves back in crisis.
Inequity and injustice aren’t abstract things – they impact real people. In terms of poverty, annual income, wealth, health, housing, schooling, and incarceration, persistent gaps separate whites from Black, Latino, Southeast Asian, Pacific Islander, and American Indian populations. And in the specific case of premature death –defined by the Centers for Disease Control and Prevention as death among persons under the age of 75 – the death rate of Blacks is over 50% higher than that of whites, and higher than that of all other major ethnic groups, except some American Indian cohorts. Only a small part of this statistic is attributable to homicide and that favorite digression of conservative pundits, ‘Black-on-Black violence.’ Rather, it’s the result of large disparities in access to quality food; regular and preventative health care; and diseases such as cancer, stroke, and HIV. A shockingly large portion is the result of an African American infant mortality rate more than double that of white Americans, triple that of Swiss citizens, and five times that of Japanese citizens. Racism kills.
Extrajudicial police shootings have been the organizing spark of the Movement for Black Lives. But the facts of inequality and death hang over us all like a toxic haze. In the United States, segregation and resegregation happen through the disappearing of the signs of inequality. Whether through white flight, the optics of diversity, or metaphorical and actual wall building, the privileged spare themselves the sight of disparity, and foreclose the possibility of empathy and transformation. Now this haze has blown into white America as well. More white Americans in their 40s and 50s, particularly those with lower levels of educational attainment, are dying prematurely. This reversal of fortune for middle-aged whites is unprecedented in American history and unique among the wealthy nations. When examining the causes, researchers Anne Case and Angus Deaton found significant rises in painkiller abuse, liver disease, suicides, and drug overdoses. ‘Future financial insecurity may weigh more heavily on U.S. workers,’ they wrote, calling middle-aged whites a lost generation whose future is less bright than those who preceded them.’
A turn in fortune should move us toward empathy and solidarity. When a natural disaster tears apart a village, the human tendency is for one neighbor to help another, regardless of whatever feelings they may have had for one another before the catastrophe. But we live in a time when merchants of division draw us away from mutuality and toward the undoing of democracy. David Graeber proposes that their demagoguery isn’t different from schoolyard bullying, ‘a kind of elementary structure of human domination.’ Trump, the silver spoon–fed child who as a second grader punched his music teacher in the eye, aspired ‘to be the toughest kid in the neighborhood.’ Graeber: ‘When researchers question children on why they don’t intervene to protect the bullied, a minority say they felt the victim got what he or she deserved, but the majority say they didn’t like what happened, and certainly didn’t much like the bully, but decided that getting involved might mean ending up on the receiving end of the same treatment.’ Reactionaries don’t need to sustain the belief or the anger of the fearful; they need only the silence and the complicity of the masses. The culture wars continue through justificatory innocence and willed inaction, allowing the structures that produce inequality and segregation to persist. They even generate the ideas that adapt those structures to better enforce racialized exclusion. One need not be a pessimist to see the bad loop of history we’re caught in: crisis, reaction, backlash, complacency, crisis. There are fires. There are calls for action, then a bullying politics of fear. If most Americans recoil from the kind of excessive, gleeful, cynical bigotry someone like Donald Trump proffers, they’re demobilized by denial (‘there is no problem’) or justification (‘there’s a problem but I can’t solve it’). And then we find ourselves in another crisis. If we don’t address inequality and inequity now, we’ll continue to be drawn back into the cycle.
Trump’s supporters believe that when demonstrators pour into the streets to protest police killings of Blacks, they’re actually supporting the killing of cops. ‘Black lives matter’ isn’t a call to end state violence against Blacks, and in that way to end state violence against all – it’s hatred of whites, a premonition of racial apocalypse.”
Chang goes on to discusse the way white individuals and institutions create the appearance of racial diversity while continuing to discriminate. He also breaks down the term “affirmative action,” noting that it was first used during the New Deal, which created remedies for workers who had been discriminated against as a class, rather than racially. It wasn’t until the 1960s, “during a period of an emerging civil rights consensus, that African Americans and other underrepresented minorities who’d suffered discrimination were finally deemed worthy of consideration as a protected class. Through a series of executive orders issued first by President Kennedy and then by President Johnson, and later in the 1964 Civil Rights Act (which enjoyed the support of 70% of the country), the government response to racial justice movements took shape, first through a colorblind principle of nondiscrimination and then in the use of affirmative action as a color-conscious weapon to reverse racial discrimination and segregation. In a June 4, 1965, commencement speech at Howard University, President Johnson articulated the shift: ‘Freedom isn’t enough. You don’t wipe away the scars of centuries by saying: “Now you’re free to go where you want, do as you desire, and choose the leaders you please.” You don’t take the chains off a person who’s been hobbled by them for years, bring him up to the starting line of a race and then say, “You’re free to compete with the others,” and justly believe you’ve been fair. It isn’t enough just to open the gates of opportunity. All our citizens must have the ability to walk through them.’
Beginning in the early 1960s, elite universities – including Michigan, Harvard, Cornell, and UCLA, all historically white institutions whose student-of-color populations were negligibly small – adopted affirmative action programs. At many of these campuses, students of color demanded proportional representation, but administrators opted for more gradualist programs, taking on the language of goals, and timetables. Over the next three decades, educational, governmental, and corporate institutions across the country developed and expanded affirmative action plans to open doors for Blacks and other minorities.” All this was changed in 1978, however, with the Supreme Court’s Bakke decision. “Plaintiff Allan Bakke wanted to attend the University of California at Davis medical program, which reserved sixteen of its 100 slots annually for disadvantaged students via a special admissions program. Twice, the med school rejected Bakke. The California Supreme Court ruled six to one that the special admissions program was a quota system and was unconstitutional. It also held that any consideration of race in admissions was unconstitutional.” With the court split down the middle, Justice Lewis Powell Jr. proposed to cut the baby in half, finding the special admissions program unconstitutional but allowing that the university – and, in turn, the government – had a compelling interest in seeking diversity for the benefit of the colleges and universities and for the larger society, but not as reparations or for leveling the playing field. With Powell’s decision, diversity displaced equity as the only viable defense of programs meant to address underrepresentation. In 1979, just after the Bakke case was decided, 67% of whites supported affirmative action. Now Powell had opened the door for opponents to attack it as harmful to whites. To achieve diversity, he seemed to argue, you didn’t need quotas, you just needed optics.
In the coming years, opponents of affirmative action, whether conservative or liberal, broadened their attack on all manner of attempts to achieve racial and cultural equity – in jobs, government contracts, fair housing, bank loans, executive leadership, even university canons and desegregated schools – as antiwhite. Those who study segregation now mark 1989 as the peak year of public school desegregation. That year, in City of Richmond v. J. A. Croson Company, Justice
Sandra Day O’Connor reiterated that the court was loath to weigh claims of past discrimination. So it would continue in a long series of cases and new laws that limited the scope of equity programs and accelerated the undoing of desegregation. Resegregation relied on the restoration of racial innocence, which absolved generations of their responsibility while allowing inequality to evolve and intensify.”
Next, Chang describes protests against discrimination and racial violence on college campuses, highlighting student Jonathan Butler’s hunger strike at the University of Missouri in November of 2015 to force President Tim Wolfe to resign, which succeeded because the football team was prepared to boycott games to support it. “In all, during the 2015–16 school year, nearly 100 universities and colleges received lists of demands from students demonstrating for racial equity.” When the students were accused of being overly “politically correct,” Jelani Cobb pointed out that “the free speech diversion” was meant to shut down the intended discussion. “The legal scholar Mari Matsuda also reminds us that racial attacks and hate speech, as well as the ‘anti-PC’ defense of them, are proof that free speech is not a neutral good equally available to all. ‘Tolerance of hate speech isn’t tolerance borne by the community at large – it’s a psychic tax imposed on those least able to pay.’ On the other hand, protest, when it comes from those at the bottom, can often be a profound proposition about how to make the world better for all. That’s the difference between the mob whipped into a frenzy by a demagogue and protesters demanding that institutions address harmful conditions that negate their very existence. One excludes, the other raises up.
I’ve written elsewhere that while we’re engaged in the culture wars, the most difficult thing to do is keep the “race conversation” going, because its polarizing modalities are better at teaching us what not to say to each other than what to say, better at closing off conversation than starting it. What I’m proposing is a way to recognize and approach the accumulation and reaccumulation of inequity, which happens along a spectrum from unintended offense to racial violence. Those whose first response to protest is to lecture demonstrators about how students ought to protest signal an utter disdain for the why of the protest. Campuses, like the country itself, are seeing rising levels of hate and intolerance, the tragic result of over a quarter century of intensifying racial inequality and resegregation and a silence over these selfsame issues. In a 1992 article, Sylvia Hurtado, a Chicana University of Michigan professor, wrote that racial conflict had become ‘commonplace on American college campuses throughout the 1980s. In 1988 and 1989 alone, more than 100 college campuses reported incidents of racial/ethnic harassment and violence.’ Student protests became so widespread that they forced administrations to react. Research universities, especially the flagship public schools, led the way in expanding multicultural and diversity programs. But a backlash formed among both liberals and conservatives, and the culture warriors’ objections cowed universities into moving away from actively addressing campus climate and racial equity.
Beginning in the 2000s, when universities should have been turning to enlightened leadership ready to tackle the challenges of a colorizing nation, they instead sought out ruthless corporate types who specialized in market positioning and cost-cutting. Nearly two decades later, universities continued to function under an austerity mind-set that focused on financial goals over educational missions. During this period, ethnic studies programs and multicultural student services across the country were frozen or slashed. Staff and faculty of color who survived told stories behind closed doors about being the last to be hired, the first to be photographed for the brochures, and the first to be cut. Despite more and more diverse applicants, universities continued to admit fewer Black and brown students and provided them with less support. In 2012, a system-wide survey of over 100,000 students, staff, and faculty by the University of California found that one in four respondents ‘had personally experienced exclusionary, intimidating, offensive, and/or hostile conduct’ on campus.’ The most competitive Black and Latino students declined admission offers at places where affirmative action had been gutted, like the University of California and University of Michigan, and instead gathered at historically Black colleges and universities and private, elite universities that promised community and support.
The young may not speak in the language we’re accustomed to hearing. We may think them too imprecise or cavalier in their rage. But if we miss their point – for which they’ve been willing to sacrifice everything – we’ll undoubtedly be hearing it again from the next generation.”
Chang goes on to address “cultural equity,” pointing out that “culture, like food, sustains us, molding us and shaping our relations with each other. An inequitable culture is one in which people don’t have the same power to create, access, or circulate their practices, works, ideas, and stories. To say that American culture is inequitable is to say that it moves us away from seeing each other in our full humanity, making the creation of a more just society less likely. Cultural equity isn’t just about representation. It’s also about access and power. Who has access to the means of production of culture? Who has the power to shape it? By the end of the 20th century most developed countries had established modern structures to support the production of culture. Funding for the arts came through four primary sectors: the state, the culture industry, philanthropy, and the community. Before the Cold War, the United States led the world in cultural policy. The New Deal supported art and the artists who created the enduring images, stories, and songs of the ‘American century.’ Zora Neale Hurston, Dorothea Lange, Orson Welles, Charles White, Ralph Ellison, and Richard Wright were all beneficiaries. These artists exposed inequality in America, and forged a new national narrative that included values of inclusion and resilience against hardship and despair. The anti-Communist Hollywood blacklist campaigns brought an end to this period of rich expression.
In 1965, as an answer to Soviet soft power, President Johnson established the National Endowment for the Arts and the National Endowment for the Humanities. The NEA played a key role in funding the growth of fledgling institutions that made up the arts uprisings of the 1970s and 1980s. At its peak, it controlled the equivalent of half a billion 2015 dollars annually, and ecosystems of arts organizations from Appalachia to Los Angeles produced a generation of artists of color and women, queer, and avant-garde artists who would popularize multiculturalist ideas. But after the fall of the Soviet Union, right-wing moralists vowed to defund the NEA and NEH. By the mid-90s, they’d succeeded in forcing many arts organizations to close shop. Inequality in the American arts world now is more severe than even income inequality. Of every foundation dollar given in the United States, only eleven cents goes to the arts. Five and a half cents goes to arts organizations with budgets of more than five million dollars. One cent goes to arts organizations serving underrepresented communities, and less than half a cent goes to arts organizations that produce work related to social justice. Eighty-seven percent of American museum leaders, curators, conservators, and educators are white; more than half of security and facilities workers are nonwhite.
Arts produced by diverse groups of people are socially valuable because they offer us ideas, technologies, and values that help us figure out how to live together. A vital, equitable culture offers us a sense of individual worth, bolsters our collective adaptability, and forms a foundation for social progress. In that sense, cultural diversity is just like biodiversity – at its best, it functions like a creative ecosystem. The final product of culture isn’t a commodity – it’s society. We’re far from that ideal.”
In the next section of the book, Chang describes how resegregation has taken place. Though it seems to me that residential segregation has always been with us, I think his point is that we think progress has been made, and the new forms of segregation are less visible. In San Francisco, Chang says, high rents have pushed Blacks first to Oakland and then, as Oakland “became the hottest market in the country,” to outlying towns. “The same pattern has held all across the country.” Similarly, “school segregation rates have been surging back toward Brown v. Board of Education levels, especially since the turn of the millennium. From the 2000–01 to the 2013–14 school years, the number of public K-12 schools classified as high poverty and/or predominantly Black or Latino has more than doubled.
White flight is moving in two directions: to the exurban edge of big-box retail and brand-new ‘traditional’ homes, and back to the city. Americans are sorting themselves into new geographic alignments that will define political polarization in the coming decades. Cities are becoming wealthier and whiter. Aging suburbs are becoming poorer and darker, and being abandoned, policed, and contained the way communities of color in inner cities were for the past century. Nationally, we’re witnessing a process that’s reproducing racial inequality on a vast level. This matters, because where you live plays a significant role in the quality of food, education, and health care available to you and your ability to get a job, buy a home, and build wealth.
Ferguson, Missouri, a tiny north St. Louis County suburb of 21,000, is one of the places to which many Blacks displaced from St. Louis went, its story not unlike many other colorized suburbs. It was once a ‘sundown town’ where Blacks weren’t allowed after dark. Then between 1970 and 2010, it went from 1% to 67% Black. The story of how that came to be reveals much about the America that’s been hidden, and is central to understanding the conditions we face now.
The rise of the city of St. Louis had been premised on the idea that racial segregation was key to rising property values. The rise of suburban St. Louis County rested on the same logic. Of 400,000 Federal Housing Administration mortgages guaranteed in greater St. Louis between 1962 and 1967, only 3% of city loans and less than 1% of county loans were given to African American families. (In this regard, St. Louis was merely at the national average.) Government policies thus supported white mobility and suburban growth. They also enforced Black containment and accelerated urban decline. Federal public housing assistance incentivized the city to push the Black poor into public housing downtown, as prospective Black homeowners continued to face steering practices that maintained a cordon around the black ghetto. Then city officials decided to clear the ‘blight,’ displacing tens of thousands of African Americans. At the same time, new industry, housing, and shopping popped up along the freshly paved interstate highways out of the city. Ferguson was a ‘destination town’ for whites then, like 90 similar municipalities incorporated in St. Louis County.
During the 1990s and 2000s, many big cities actively depopulated themselves of people of color and the poor. They moved first to destroy the major housing projects. City leaders wanted to replace decaying low-income housing with mixed-income housing. The idea was sound: economic integration would give impoverished residents better opportunities to succeed, and establish more diverse, stable communities. But its execution accelerated resegregation. At the same time, development-minded city leaders pushed their police departments to focus on low-level ‘quality of life’ crimes – urban policing driven by a sweep mentality, in which the poor, the jobless, the homeless and near-homeless, immigrants, and youths of color are criminalized, harassed, and arrested in their own neighborhoods.
In 2010, even low-income suburban whites lived in neighborhoods that were more than 69% white, and Blacks and Latinos were 40% more likely to live in more impoverished suburbs than whites. Put another way, poor people of color tended to live in suburbs that were less white and more impoverished, while poor whites tended to live in suburbs that were more white and less impoverished. By 2014, St. Louis County north of St. Louis was more than 70% white and less than 24% Black. One in four African Americans lived below the poverty line, more than double the ratio of whites. Power in most of these municipalities remained in the hands of whites, and they reorganized their systems of policy-making, policing, and justice to exploit poor Black populations. Greater St. Louis remains one of the most hypersegregated regions in the country, alongside Baltimore, Cleveland, and Detroit, all key nodes on the map of the Movement for Black Lives.
When the economic crash came in 2008, Blacks and Latinos were 70% more likely than whites to lose their homes to foreclosure. The highest rates of foreclosure were in racially integrated neighborhoods. Since the single biggest asset for an overwhelming majority of households of color was their home, the national wealth gap between whites and all other racial groups grew larger than ever. Between 2005 and 2009, white household net worth dropped by 16%, but plunged 53% for Blacks, 54% for Asians, and 66% for Latinos. By 2013, the median white household held ten times the wealth of a Latino household and thirteen times the wealth of a Black household. These impacts will have a long-term effect. Before the Great Recession, white and Black households of comparable age, education, and median income were projected to reach parity in home equity by 2050. In the wake of the crash, however, a study found that white home equity would grow to over 1.6 times Black home equity in the same period.
At a minute after noon on August 9, 2014, Michael Brown Jr. and his friend Dorian Johnson were stopped by Ferguson police officer Darren Wilson for jaywalking. Two minutes later, a man named Emanuel Freeman posted to Twitter: ‘The police just shot someone dead in front of my crib.’ From his apartment balcony, Freeman took a photo of two policemen standing watch over Brown’s lifeless body. That started the flow of pictures speeding over the Internet. First, the young Black man, lying facedown on the boiling asphalt, blood from his head pooling and trailing down the pavement. Then the picture of his stepfather, standing silent, defiant alongside a line of patrol cars holding a piece of cardboard on which he has scrawled: ‘FERGUSON POLICE JUST EXECUTED MY UNARMED SON!!!’ And finally, the pictures of his mother asking the sky, ‘Why? Why did they do that?’ These pictures were how millions who hadn’t known him in life first came to know Michael Brown Jr.
People congregated on the grass and in the narrow shade of trees behind the police line – neighbors, family who knew him as Mike-Mike, friends who knew him as Big Mike, and many who didn’t know him at all. Tweets cascaded in real time, pictures and videos taken from balconies and sidewalks, images and words. Police placed orange cones near Brown’s upturned baseball cap, bracelets, and stray slippers. But it would still be at least twenty minutes before they covered his body with a white cloth that was quickly stained red. TV cameras arrived. Witnesses, including Dorian Johnson, told reporters that Mike had had his hands up, but still the cop had shot him dead. Ninety minutes after the shooting, forensic detectives finally appeared. Officers turned Brown’s uncles, his grandmother, and his stepfather, Louis Head, away from the young man’s body. His mother, Lezley McSpadden, rushed down to Ferguson from her job in Clayton, and when she too was told she couldn’t go to him, she paced along the border of yellow tape, holding her head, crying, and cursing at the impassive cops. Ferguson Police Chief Thomas Jackson came, took McSpadden by the arm, and walked her along the perimeter. The crowd surged and yelled epithets at the cops. She pleaded to the crowd, ‘All I want them to do is pick up my baby. Please move back.’ Michael Brown Sr. arrived. He later wrote: ‘To this day, I don’t know how or why I didn’t explode into a murderous rage when cops held up their hands to stop me from getting to Mike. “That’s my son!” I screamed over and over, as if those words would mean something. They didn’t. I had to stand there like everyone else.’ Some nodded in agreement when McSpadden gave an interview to a local television reporter. ‘You took my son away from me. You know how hard it was for me to get him to stay in school and graduate? You know how many Black men graduate? Not many! Because you bring them down to this type of level where they feel like, “I don’t got nothing to live for anyway, they gon’ try to take me out anyway.”’ People began chanting, ‘Kill the police!’ Gunshots were heard nearby, and dozens more county and Ferguson cops, almost all white, were called. They arrived wearing bulletproof vests and brandishing assault rifles. They walked snarling police dogs up the driveways of the apartment complex, pushing people back toward their homes. Chief Jackson and St. Louis County Police Chief Jon Belmar’s Ferguson resembled nothing so much as Bull Connor’s Birmingham. Smartphones and TV cameras were capturing it all, and so, belatedly, the police tried to control the flow of images. They finally draped a long black cloth over Brown’s body, and erected knee-high orange blinders. Later, officers were stationed in a circle around his body and told to hold up blue tarps as if they were curtains.
Hours after Brown was killed, his neighborhood resembled a war zone. On West Florissant, the street from which Brown and Johnson had been walking home, what residents would come to call ‘the tanks’ made their first appearance. County tactical operations units deployed Lenco BearCat vehicles, designed for SWAT teams to use ‘in hostile Urban Environments,’ outfitted with half-inch-steel ballistic armor, two-and-a-half-inch-thick windows, and eleven gun ports, sold at a market price of $230,000 each. Through it all, Michael Brown’s body lay under the burning sun. It would be more than four hours before his body was removed from the street. In the dimming daylight, firefighters hosed down the road and the policemen took down the yellow tape. The crowd followed Lezley McSpadden into the middle of Canfield Drive. Someone had given her a bouquet of roses. She removed the petals and gently dropped them to mark the spot where her son’s blood still stained the road. People placed flowers and lit candles.
Elizabeth Vega, a Mexican American teaching artist and counselor, was in despair. She’d been dismayed by the acquittal of George Zimmerman in the killing of Trayvon Martin the summer before, as well as by the recent shooting of John Crawford, who’d been killed by police in a suburban Ohio Walmart while holding a toy BB gun that he intended to purchase. When she saw the pictures of Michael Brown’s body, she called her friends and they decided to meet in Ferguson. Vega and two companions headed north out of St. Louis. In the parking lot of Andy Wurm Tire & Wheel on South Florissant Street, several people were gathering, including Vega’s friends from the Organization for Black Struggle, one of the area’s oldest racial justice organizations. Soon they were making signs and talking strategy about how to get answers from the police. The OBS members knew some of the demonstrators – local labor organizers, solidarity activists, anarchists. But as the crowd swelled, it looked less like an ordinary protest. ‘We were on the sidewalk initially, and people drove by and honked in support. Then some people pulled over and asked, “Why you all out here?” And somebody explain what had happened,’ Bukky Gbádégeşin recalled. ‘Many of them pulled into the parking lot, got out, and started chanting with us. When we started, we had about twenty, thirty people. By the time we finished that night, it was like two hundred people, two hundred fifty.’ The new demonstrators included mothers, grandmothers, and young people like Tory Russell and Ashley Yates. Russell, a high school football coach and a day laborer, had left his house when he heard about Brown’s death. Yates and her girlfriend had come straight from her mall job in the ritzy Plaza Frontenac. All the protesters felt as if they were being drawn into something bigger than themselves. As Elizabeth Vega put it, Michael Brown’s killing was ‘the collective snap of the last straw.’
As the evening drew on, Ferguson police came out to ask who the leader of the protest was. By then, Yates recalled, ‘it was masses of people, so no one person could lead.’ But the crowd in the lot selected Russell and a small group of others to go inside to speak to the police while they continued to hold their signs and chant. Back on Canfield Drive, a dumpster behind the apartments had been set on fire, and authorities moved in. Pushed back against the curb by growling police dogs straining at their leashes, residents and others who’d earlier gathered around the scene of the crime were now surrounded by police on all sides. Near the lamppost that had marked the edge of the yellow tape line, they held their hands in the air, chanting, ‘Hands up! Don’t shoot!’ One cop walked his dog over to the memorial that McSpadden had made for her son and let it pee on the flowers and candles. And after the rest of the policemen got into their vehicles to leave, they rolled over what was left of the memorial. In the days to come, these memorials to Michael Brown Jr. would be destroyed over and over, but every time the memorials were torched or removed, people returned to put them up again. They were determined that this time the police wouldn’t get away with it. So began the daily protests in Ferguson against police brutality that continued unbroken for hundreds of days. It would become, as the Reverend Osagyefo Sekou said, ‘the longest rebellion in the history of the United States against police brutality.’
Two weeks after Michael Brown was killed, the Arch City Defenders, a group of progressive St. Louis–area lawyers, released an influential white paper that exposed the link between policing, poverty, racial profiling, and city budget revenues. Throughout the county, Blacks experienced stops, searches, and arrests at much higher rates than whites. In 2013 the Ferguson court disposed of 24,352 warrants – more warrants than there were residents. Blacks, who made up 67% of the city and 6% of the police force, suffered 86% of traffic stops and 93% of arrests. Court fines and fees were the second-largest source of city revenue. A single violation – whether for a broken car taillight or failing to subscribe to the city’s garbage collection service – could set off a cycle of disaster leading to eviction, loss of child custody, denial of loans and jobs, and even more jail time. If one missed appearances or payments, not only might she face compounded fees and additional court fines, she might be arrested on the spot when she came to the court window to try to pay it off. The Defenders called it a ‘modern debtors’ prison scheme.’ A Department of Justice investigation launched after the protests over Michael Brown’s killing found that Ferguson had implemented intentionally racist and unconstitutional practices in its policing and in its courts. Michael Brown and Dorian Johnson’s jaywalking stop wasn’t unusual. It was routine. ‘From 2011 to 2013,’ the DOJ noted, ‘African Americans accounted for 95% of Manner of Walking in Roadway charges, and 94% of all Failure to Comply charges.’ The DOJ also stated bluntly that ‘Ferguson’s law enforcement practices are shaped by the city’s focus on revenue rather than by public safety needs.’ In one of its more stunning passages, the DOJ outlined how completely Ferguson’s system dehumanized its residents: ‘Officers expect and demand compliance even when they lack legal authority. They’re inclined to interpret the exercise of free-speech rights as unlawful disobedience, innocent movements as physical threats, indications of mental or physical illness as belligerence. Police supervisors and leadership do little to ensure that officers act in accordance with law and policy, and rarely respond meaningfully to civilian complaints of officer misconduct. The result is a pattern of stops without reasonable suspicion and arrests without probable cause in violation of the Fourth Amendment; infringement on free expression, as well as retaliation for protected expression, in violation of the First Amendment; and excessive force in violation of the Fourth Amendment.’ Black residents of St. Louis County had long lived with this.
On Sunday, August 10, 2014, inside the Ferguson Police Department conference room, St. Louis County Police Chief Jon Belmar told reporters that Michael Brown had assaulted a police officer. He added that the officer had been placed on administrative leave, refused to give his name, and suggested that he might be returned to active duty. Ashley Yates was in the crowd outside of the Ferguson Police Department. After protesting on Day One at the South Florissant headquarters, she’d returned. Black clergy had come from their Sunday services to try to calm emotions, but Yates recalled that they weren’t finding much of an audience. She said, ‘People were rightfully angry.’ Thousands of demonstrators were in the streets, including mothers and children with hand-drawn signs that read ‘Honk for Mike’ and ‘Enough Is Enough!’ From a command post up the hill on the other side of the railroad tracks, in the parking lot of the Buzz Westfall Plaza on the Boulevard, armored Humvees and BearCat vehicles, riot-ready officers, canine units, and SWAT teams rolled down the hill into Ferguson. They swept people back toward the QuikTrip, which was looted and set on fire. Newscasters focused on the burned and looted QuikTrip rather than on Michael Brown’s murder, as if property were more important than people. The only things the cops seemed interested in protecting were the vehicles they’d parked along West Florissant. After midnight, they fired tear gas volleys all along West Florissant to clear the area.
By Monday, Day Three, the canine units had been replaced by snipers sitting atop armored vehicles equipped with ear-shattering acoustic riot-control devices and groups of paramilitary police toting tear gas launchers, training their night-vision goggles, their M4 carbines, and twelve-gauge shotguns on demonstrators. Ferguson looked like a war zone. The young visual artist Damon Davis wondered if the police understood the optics they’d created. ‘They got to know this don’t look right,’ he thought to himself. He decided to head to Ferguson and found himself at the site of the burned-out QuikTrip, which had become a gathering place for the resistance. People distributed water and food and made signs. Street-theater artists performed plays. Buddhist monks prayed. Bands played. The Washington Post’s Wesley Lowery wrote, ‘This was their Tahrir Square, their Tiananmen Square. The place each night where they would make their stand.’ Davis recalled, ‘People was chatting, soapbox preacher dudes doing their thing. And then [over the police loudspeakers] they told everybody to leave.’ Larry Fellows and Johnetta Elzie were in the street handing out water bottles, with Wesley Lowery standing alongside them documenting the scene, when police began firing tear gas canisters in high, smoking arcs into people’s yards and at people’s cars. Over the loudspeakers, the cops told people to go home. One of woman stood on her lawn and yelled back, ‘This is my home. You’re the ones who need to go home.’ But the police marched forward through the red-and-blue haze toward the QuikTrip. Elzie felt something like a sudden sharp punch to her chest, and was breathless for a second. The advancing police had shot her with a nonlethal round.
On Wednesday night, Day Five, the street clashes reached a climax. Police were pelted with rocks, bottles, bricks, even Molotov cocktails. Cops fired stun grenades, beanbag rounds, Stinger balls that worked like flash-bangs, and PepperBalls – ammo that someone described as ‘Pokémon balls that spit out gas.’ The next morning, Attorney General Eric Holder, Missouri Senator Claire McCaskill, and other politicians, left and right, decried the police militarization. St. Louis Police Chief Samuel Dotson pulled his officers back from Ferguson, publicly denouncing the county police’s warlike tactics. Even military personnel were outraged. When police pointed rifles at people’s chests, one retired army officer told the Washington Post, ‘That’s not controlling the crowd. That’s intimidating them.’ The journalist Radley Balko noted that the police seemed to have lost their mission: ‘The soldier’s job is to annihilate a foreign enemy, to kill people and break things. A police officer’s job is to keep the peace and to protect our constitutional right’.” The same day, Governor Jay Nixon appointed Missouri Highway Patrol Captain Ron Johnson, an African American resident of Florissant, to lead the command. Johnson met with Michael Brown’s family and marched with demonstrators. Thursday evening was the quietest of the week. But in the community, there was still a profound sense that police were protecting their own. On Friday, Day Seven, at QuikTrip, Ferguson Police Chief Thomas Jackson held a press conference to announce that the name of the officer who had shot Michael Brown was Darren Wilson. But before he did, Jackson described Brown’s August 9th robbery of Ferguson Market, which had immediately preceded his confrontation with Wilson.
Ferguson was now a national story, largely shaped by the people and the protesters. By the end of Friday, the Pew Research Center found, more than 7.9 million tweets had been generated under the hashtag #Ferguson. Social media fueled local and national interest, and organizing networks were forming. In the days that followed, Governor Nixon declared a state of emergency and called in the National Guard, but demonstrations continued daily from morning to night. ‘This is civil rights 2.0,’ said Damon Davis. ‘It’s not suits and ties anymore. It’s tattoos and dreads and queer women of color out here.’ Community meetings drew together over fifty different organizations to coordinate planning and training. In order to accommodate the needs of the growing movement, the Organization for Black Struggle, a St. Louis-based activist organization founded in 1980, brought in leaders and organizers from Oakland, Miami, Chicago, Los Angeles, and New York City. Between August and October, they trained over 200 organizers in nonviolent direct action, and hundreds more in areas such as emergency response, medical support, crowd control, communications, and de-escalation.
Central to the national resistance was an organization called Black Lives Matter that had been started by San Francisco Bay Area organizer Alicia Garza, Los Angeles artist and activist Patrisse Cullors, and New York/Phoenix–based organizer Opal Tometi. On August 10th, as #Ferguson exploded on social media, so did #blacklivesmatter. The genesis of the idea had come the summer before after the acquittal of George Zimmerman in the killing of Trayvon Martin. After the verdict was announced, Garza quickly posted to her Facebook page, ‘I can’t breathe. NOT GUILTY.’ Her feed filled with posts from people who said they weren’t surprised. ‘That’s a damn shame in itself,’ she responded. ‘I continue to be surprised at how little Black lives matter.’ She added, ‘Black people. I love you. I love us. Our lives matter.’ Cullors’s activism had sprung from the brutal beating of her brother by Los Angeles County jail officers. Garza also worried about her brother, in whom she saw Trayvon Martin. That night, the two women, who’d known each other for years through organizing circles, talked for a long time about Zimmerman, Martin, their brothers, and what needed to happen. Cullors put a hashtag in front of Garza’s refrain, posted it to Facebook, and suddenly a big idea cohered. The next day, the two contacted Tometi, a friend and communications expert, and a social-media campaign was born. ‘Black Lives Matter’ articulated an impatience with the politics of respectability. Proponents of respectability politics, Randall Kennedy wrote, ‘advocate taking care in presenting oneself publicly to avoid saying or doing anything that will reflect badly on Blacks, reinforce negative racial stereotypes, or needlessly alienate potential allies.’ Such politics were resurgent during the Obama era. The president himself was both a source and a symbol of respectability politics. But the Black Lives Matter activists were pro-queer feminists who worked with those on the margins of society: incarcerated people, domestic workers, and migrants. They thought of themselves as proudly, defiantly intersectional, and offered an expansive notion of what they called ‘Black love,’ a vision of radical diversity. Garza wrote, ‘Black Lives Matter affirms the lives of Black queer and trans folks, disabled folks, Black undocumented folks, folks with [criminal] records, women, and Black lives along the gender spectrum. It centers those that have been marginalized within Black liberation movements. It’s a tactic to (re)build the Black liberation movement.’ Black Lives Matter challenged not only the content but the form of respectability politics – the traditional, charismatic Black messiah model that typically privileged straight male leadership and top-down, hierarchical infrastructures, such as those of the Black church. Instead, the movement drew on the methods and examples of Bayard Rustin, the gay man who led the mobilization of the 1963 March on Washington while eschewing the spotlight; Ella Baker, the woman who’d trained generations of organizers while strongly advocating modes of decentralized leadership; and Assata Shakur, the Black Panther activist exiled to Cuba who was still on the FBI’s Most Wanted list and had written the lines they adopted as their mantra: ‘It is our duty to fight for our freedom. It is our duty to win. We must love each other and support each other. We have nothing to lose but our chains.’
Those who opposed the movement by arguing that ‘all lives matter’ couldn’t see the cold inhumanity of their stance. The systematic denigration of Black lives was inescapable, whether in shortened life expectancy or the growing list of extrajudicial murders. In the United States, most conversations about race defaulted to a discussion about whiteness. But racism and inequality would never end if Blacks focused on easing white anxiety. Change would come only through a struggle to transform how everyone saw and treated Black lives. If Black lives mattered to all, then all lives really would matter.
The national network of organizations issued a set of demands, including the immediate arrest of Darren Wilson, the ending of police militarization, and reinvestment in resegregated, impoverished communities. To further these demands, organizers agreed to launch four days of civil disobedience they would call Ferguson October. But as the start of protests neared, the area was shaken by three more officer-involved extrajudicial killings. The first, just three miles away from Canfield Green and less than two weeks after Michael Brown was killed, was captured on video. Police Chief Samuel Dotson told reporters that the suspect, Kajieme Powell, had raised a knife and that officers had shot him in self-defense. But the cell phone video he released the next day contradicted this account. Armed with nothing but a steak knife, Powell, a mentally ill man, had stolen two energy drinks from a store. He walked out, put the two cans down near the curb, and walked aimlessly in large circles, arguing with the young store clerk who’d come out to reason with him. Then a police car arrived, and two officers – who would never be named publicly – emerged to tell Powell to put his hands up. Powell walked toward them, taunting, ‘Shoot me, motherfucker!’ Then he started walking away from the police in another wide circle. When he came out of the loop to face the police, they fired twelve shots at him. He hadn’t even drawn his knife.
Then, on September 19th, 21-year-old Kimberlee Randle-King was arrested in Pagedale, a small north county town. She’d been on her way to pick up her two children at her grandmother’s house, but ended up in a group of people arguing and tussling on the street. When she was taken in, police found Randle-King had seven ‘failure to appear’ warrants for traffic and vehicle violations and prepared to take her back to a cell. The police report said that she ‘became “hysterical,’ claiming she would lose her ‘job, house, and babies.’ Kimberlee then said, ‘I’m gonna die if I go back there.’ A half hour later, Randle-King was found dead in her cell, hanging by her own T-shirt. Family and friends quickly gathered at the Pagedale jail in protest. They said she hadn’t been anything close to suicidal. Her case would soon find uncanny echoes in those of Sandra Bland and Kindra Chapman, and helped inspire a national campaign called #SayHerName that highlighted the impact of police brutality on African American women.
The last incident occurred on October 8th, two days before the start of Ferguson October. When VonDerrit Myers and some friends emerged from a night market after buying sandwiches, an off-duty cop who was working a nighttime security job in his police uniform stopped them on a ‘pedestrian check.’ The cop identified at least one of the group as suspicious and carrying a weapon. Myers and his friends ran, and the cop gave chase before losing them. Myers went up to his apartment to eat and put on a sweatshirt, then came back down to the street, where he encountered the cop again. What happened next remains a mystery. There were no official witnesses. But when it was all over, the cop had unloaded an entire clip, and Myers had been shot seven times in the back. Police said Myers had been killed in a shootout and that there was gunshot residue on his hand to prove it. They noted Myers had been wearing a GPS ankle bracelet, a consequence of being out on bail for recent charges of unlawful use of a weapon and resisting arrest. The media was fed Instagram photos of Myers posing with guns. But in the days that followed, the police modified their account of the night’s events several times, talking about bushes that Myers had supposedly shot from that didn’t exist, and changing the make of the gun they said Myers carried. The officer, whose name wouldn’t be made public, refused to be interviewed by a prosecutor. Myers’s family argued that a gun had been planted on him, and that he had been executed. The prosecutor agreed that the bullets fired at him could have explained the residue evidence, and Myers’s DNA didn’t turn up on the gun that was found. Yet the prosecutor still decided not to take the case to the grand jury, stating that the evidence was inconclusive.
Ferguson October began on October 13th. In the dramatic week that followed, tens of thousands marched. Young Activists United occupied the St. Louis city hall rotunda. Bearing signs that said ‘Stop Killing Us”’ and chanting ‘Black lives matter,’ Millennial Activists United shut down the Plaza Frontenac. Protesters also closed Emerson Electric Corporation, and shut down two Walmarts and a Democratic Party fund-raiser. At the police station, dozens more were arrested, including Cornel West, the Reverend Osagyefo Sekou, and other religious leaders. A student-led protest at St. Louis University led to a weeklong encampment by a group called Occupy SLU, resulting in a negotiated resolution called the Clock Tower Accords that committed the campus to more discussions about race, funding for Black student recruitment and retention, African American studies, a community center and community board committed to addressing inequality in the area, and a sculpture, designed by a Black artist, commemorating the encampment.
On October 4th, Elizabeth Vega, Sarah Griesbach, Derek Laney, and fifty other ‘Artivists’ interrupted a St. Louis Symphony performance of Brahms’s Requiem, standing throughout the hall to sing a version of ‘Which Side Are You On?’ The original song, written by Florence Reece for the bitterly fought 1930s Appalachian coal strike, included the words ‘They say in Harlan County there are no neutrals there.’ The Artivists changed the lyrics to’“Justice for Mike Brown is justice for us all,’ and unfurled fifteen-foot-high banners painted by Jelani Brown that read ‘Rise Up and Join the Movement,’ ‘Racism Lives Here,’ and ‘Requiem for Mike Brown 1996–2014.’ Some in the overwhelmingly white crowd applauded, others could be heard saying, ‘He’s a thug.’ Most remained silent.
One evening the Artivists carried a funeral casket covered in cracked, mirrored glass to the front of the police line on South Florissant. The sight of the coffin shook some of the cops. “Look into the mirror,” one of the protesters told them. ‘We’re human too. You’re not the only people who get to be human.’
As the St. Louis area girded for Prosecutor Bob McCulloch’s announcement of the grand jury decision, Michael Brown’s parents traveled to Geneva, Switzerland with a delegation of 70 Ferguson activists and human rights leaders to testify before the United Nations Committee Against Torture. Back home, on a rainy Sunday, Tribe X, Missourians Organizing for Reform and Empowerment, and members of the Artivists staged a ‘die-in,’ lying down in the street to shut down traffic as other demonstrators drew with chalk around their bodies. In the months to come, this form of protest became synonymous with the Black Lives Matter movement. Die-ins were staged in major shopping malls, transportation hubs like New York City’s Grand Central Terminal, 70 medical schools, and on major arterial highways.
The next day, November 17th, Missouri Governor Jay Nixon declared another state of emergency. Public schools in Ferguson and Jennings canceled classes. Police restocked tear gas, flex cuffs, and ‘less-lethal’ munitions. The National Guard was placed on alert. Stores throughout the city and county boarded up their windows. The grand jury announcement was still a week away, and already it felt like the worst hidden secret in Missouri was a coming non-indictment.
Damon Davis of the Artivists noticed that many of his friends were showing signs of stress and trauma. He wanted to create a work that would raise their morale, and lift up their message against the violence of the state and the media’s anticipation of tear gas and fire. The result was a project he called All Hands On Deck. With the support of Global Grind’s Michael Skolnik and the Artivists, Davis created 51-inch-high posters of the hands of local Black and white organizers and activists, including Reverend Sekou, Tef Poe, Hands Up United’s Tara Thompson and Abby Bobé, MoKaBe’s Reeny Costello, an unidentified hacker from Anonymous, and Tory Russell’s son, Lucas. Davis had photographed their hands on white tables or against the snow. ‘Hands are what you do work with,’ he explained, ‘and it’s time for you to get up and help work on this if you want it to be any better.’ He printed the hands in black ink on a blank white background. Two days after Nixon’s declaration, Davis, Skolnick, and a team of other artists-activists took the posters to the West Florissant businesses below the railroad tracks, whose windows had been covered with plywood. They spoke to store owners and got permission to wheat-paste the broadsides on the boards. The state was preparing for a violent clampdown, an animus that would be confirmed by McCulloch’s decision to announce the grand jury decision not to indict Officer Darren Wilson after dark, during the mid-evening hours when the August street clashes had usually begun. But All Hands On Deck seemed instead to tap desires coursing across time and place – the 9,000-year-old black, red, white, yellow, and brown cave-art hand stencils at Patagonia’s Cueva de las Manos that shouted, “We are here!”; John Heartfield’s street poster, Five Fingers Has the Hand, taunting the Nazi party from Berlin walls during the 1928 Weimar election season; even the gloved hands that John Carlos and Tommie Smith thrust into the air on the medal stand at the 1968 Olympics in Mexico City, their fingers closed into fists. There was affirmation, defiance, and power here, but something else too – a radical vision of community. At the root of the pre-riot frenzy was the same kind of fear that had left Mike Brown dead in the street, that had driven a century of segregation and resegregation in the city and county. But these posters transformed the plywood from enclosing shields of fear into open walls that revealed the breadth of community: a child, a preacher, a barista, an activist, and others in Black-and-white. Authority demanded submission. But when people raised their hands together, they might be demanding recognition, defying injustice, or even reveling in collective joy.
On November 24th, St. Louis County Prosecutor Bob McCulloch announced the grand jury’s refusal to indict Officer Darren Wilson. In the long hours after the decision, the state and the media got exactly the clashes they wanted. Televisions ran hi-def split-screen images of President Barack Obama urging calm in the streets as police teargassed Black Lives Matter protesters on West and South Florissant. In St. Louis, organizers and activists gathered at a bustling café at the edge of Tower Grove Park, not far from where VonDerrit Myers had been killed. Owned and run by a white radical named Mo Costello, MoKaBe’s had long served as a gathering spot for activists from the Occupy, queer rights, and Black Lives Matter movements.. Two weeks before, Mo had announced on Facebook that she would keep the spot open 24 hours a day for activists. That night, the intersection at Grand and Arsenal in front of MoKaBe’s filled with paramilitary police and armored vehicles. Police issued clearance orders while the crowd mocked them. Protesters backed onto the sidewalk and filled MoKaBe’s. Dozens, including Amnesty International observers, parents, and children, were gathered inside, drinking free cups of hot chocolate. When windows were broken along Grand, police quickly moved to clear the corner. They fired rubber bullets at people on the sidewalk. Then they fired smoking tear gas canisters directly onto MoKaBe’s patio and through the café’s front door. Gas filled the interior, and dozens of choking patrons fled into the basement. As the stricken were treated with eye drops, riot cops marched behind the coffee house to fire more tear gas into the residential neighborhood to prevent patrons from leaving. After the smoke cleared, some ventured back out to yell at the police, who dropped more tear gas canisters from their armored vehicles. St. Louis University professor and civil rights lawyer Brendan Roediger negotiated with the police for a way for the patrons to leave. Finally, they filed out of the café one by one with their hands up, and walked slowly away from the police line down the block to St. John’s Episcopal Church. The next evening, police would return to form riot lines in front of the café.
Reverend Osagyefo Sekou had been at MoKaBe’s on the morning of the 24th to attend an urgent meeting about preparations for the grand jury announcement. The young organizers had received him with a warmth and deference that they showed only a handful of other members of the clergy. Back in the earliest days of the protests, mainstream clergy positioned themselves as brokers to the white elite. But when it became clear to the protesters that some of those same clergy were negotiating away their rights, they’d chanted, ‘Fuck the clergy!’ When the Reverends Al Sharpton and Jesse Jackson came to town, they received the cold shoulder from the street activists. In October, at a massive interfaith gathering at St. Louis University’s Chaifetz Arena, the same activists grew tired of the empty talk from church and civil rights leaders. They began chanting to let young people speak. When Tef Poe took the stage, they cheered. ‘For us this isn’t an academic issue,’ he told the leaders. ‘Y’all did not show up.’ He told them he trusted the shirtless, bandanna’d boys and the young girls who’d gone truant to be at the protests more than the elders. ‘This ain’t your grandparents’ civil rights movement,’ he cried. ‘Get off your ass and join us!’ The small group of church leaders who’d gained the respect of the protesters included Reverend Sekou, who wore long dreadlocks and a rough beard and he cursed like a hardcore rapper. On the day Michael Brown was killed, Sekou was a scholar-in-residence at the Martin Luther King, Jr. Research and Education Institute at Stanford University, working on a book on the relevance of King’s work to the present. When Sekou saw the news, he decided to come home and follow the lead of the twenty-somethings, especially the queer Black women who were leading protesters to nonviolently face down the police. On the night of Tuesday 11-24, when he heard that hundreds of police had again massed at the corner of Grand and Arsenal in front of MoKaBe’s, Sekou came to the café. Police had already issued dispersal orders and seemed prepared to gas MoKaBe’s again. Sekou mounted a table and quieted the crowd. ‘My first thing is I need you to be safe,’ he said. He asked the people to lock arms. He was improvising, he admitted, and a palliating laughter rippled through the crowd. And then Sekou took a leap of imagination or perhaps, he would say, of faith. ‘We have already won,’ he said as he pointed back to the cops across the street. ‘They don’t do that when we’re losing. When they bring that out, that’s because we’ve won already.’ He asked the crowd, ‘What does a heartbeat sound like?’ Someone said, ‘You mean the way it’s going like boomboomboomboom right now?’ The crowd roared. ‘On a normal day, Sekou said, ‘your heart goes…’ And he hit his chest twice with his hand. He asked the crowd to unlock their arms and they joined him, pounding their hearts into a rhythm that could be heard across the street. The air itself seemed to change. He turned to face the police now. ‘You are on the wrong side of history, and we have already won,’ he told them. ‘We are peacefully gathered here in the tradition of Martin Luther King, Gandhi. This multiracial gathering is possible because of nonviolence. And that is the heartbeat of democracy that you hear. And so whoever your captain is, stand down. Go home,’ he said. ‘We’ll be alright.’ All along the police line, stiffened backs seemed to wilt. Then the cops turned to the left in file, turned again, and marched silently away down Grand Street.
Into the new year, a shocking but steady list of names filled the social media scrolls – Eric Garner, Tamir Rice, Rekia Boyd, Renisha McBride, Antonio Zambrano-Montes, Akai Gurley, Walter Scott, Freddie Gray, Laquan McDonald. Deaths of people of color were nothing new. A Malcolm X Grassroots Movement report in 2012 had documented that every 28 hours a Black person was killed by police, security guards, or vigilantes, ‘self-appointed enforcers of the law’ protected by state codes like the stand-your-ground laws. But with personal and surveillance technology and social media, Ferguson activists and the Movement for Black Lives now had the power to reveal what those statistics looked like. As the winter drew on, the growing list sparked public mourning and rage, filling the streets and highways and train stations and bridges with protesters.
At dawn on Sunday, August 9, 2015, over a hundred people gathered on Canfield Drive for an interfaith prayer. On this ground history had been made, but the price had been dear. Dozens of families had left or been evicted. Pastors, rabbis, imams, ministers, residents, and visitors formed a large circle, the same circle that had been enclosed a year before by yellow tape. In the middle, the community’s memorial to Michael Brown Jr. still stood, and someone had left a single burned and tattered American flag where Michael had lain. After the service, the skies darkened, a loud rumble of thunder echoed over Ferguson and St. Louis, and a sudden, hard rain fell.
Mike, age 18, hadn’t finished his credits when he posed for his high school graduation picture, but he was eager to finish, worked hard through the summer, and received his diploma on August 1st, a proud moment for his family, especially his mother. On Monday he’d start attending Vatterott College, a for-profit vocational school that advertised on late-night television. The college, partly owned by one of Mitt Romney’s private-equity firms, was known to federal investigators as a problem school whose business plan was built off student debt. Its former director of enrollment had pled guilty to federal financial aid fraud. Mike, knowing none of this thought it seemed like an opportunity to land a decent blue-collar job as an air-conditioning tech.
In mid-July, Mike began going back to church. But he still brooded over his future. On the day they celebrated his high school graduation, he argued with his father. He announced he was becoming a rapper, but Michael Brown Sr. told him, ‘That’s all fine and good, but you’re gonna stay in school and you’re gonna stay focused.’ Mike responded angrily, ‘One day, the world is gonna know my name. I’ll probably have to go away for a while, but I’m coming back to save my city.’ Days later, on Tuesday, August 4th, he spoke again with his father. His stepmother had just been diagnosed with chronic heart failure, just months after their house had burned to the ground. Mike said he thought she was going to die. Upset, his father hung up on him. Two days later Mike called another family member with a message for his father: ‘Pop’s mad at me. Tell him I said what I said because I’ve been having these visions and images of death. Tell him I keep seeing bloody sheets.’ He posted a cryptic message on his Facebook page: ‘If I leave this earth today, at least you’ll know I care about others more than I cared about my damn self.’
At the store on August 9th, things got strange, Dorian said. Mike asked for a box of Swisher Sweets, and handed it to his friend. Then he grabbed a smaller pack of single cigarillos, turned, and started for the door. The clerk ran to the door to stop him. Confused, Dorian put the box back on the counter and turned to see Mike shoving the clerk aside and walking out with the cigarillos. ‘I stared at him for a while, because the times when I’d met him before that day, he didn’t strike me as a person who would do anything like that,’ Dorian told the grand jury. I said, “Hey, I don’t do stuff like that. What’s going on?” Mike laughed and told him to be cool. Dorian knew they’d been caught on camera, and when a police cruiser approached he started worrying, but it passed them by. There were no cars coming or going, so the two crossed into the middle of Canfield Drive to the median line – Dorian walking in front, Mike right behind. Mike was carrying half the cigarillos in each hand. It was a Saturday in August, approaching high noon. They were almost home. A white Chevy Tahoe marked ‘Ferguson Police’ was just around the bend.”
Chang ends his book with an analysis of the film Beyoncé made to go along with her album “Lemonade,” which he describes as “a story of infidelity and promises broken, the journey of one Black woman from grief over her boyfriend’s betrayal to reunion and redemption.” Chang doesn’t think the album and film can “be heard or seen separately from the exigency of the Movement for Black Lives.
The film is set in the South, a geography that looms large in the American imagination of slavery and segregation, life and death. ‘What are you hiding?’ Beyoncé asks her unfaithful guy. ‘The past and the future merge to meet us here.’ She tries to purify herself as if she were a Yoruba iyawo, reaching for a communion with higher spirits – wearing white, fasting, abstaining from sex and mirrors. But her pain is inescapable. In ‘Hold Up,’ Beyoncé appears as Oshun, whose province includes affairs of the heart, (self) love, (re)birth, creativity, community, and childbirth. She rises from the river in gleeful catharsis, taking her ‘Hot Sauce’ bat to muscle cars, store windows, and surveillance cameras. All around her explosions go off and the corner boys gape. ‘Tonight I’m fucking up all your shit, boy!’ she taunts on ‘Don’t Hurt Yourself.’ And yet Beyoncé is still reminding her lover that their fates are intertwined. She sings, ‘When you lie to me, you lie to yourself.’
After the release of anger, she descends into apathy and emptiness. She wanders through Southern mansions that don’t feel like her own, that remind her of what she hasn’t gotten and who she isn’t. At the end of “6 Inch,” a house goes up in flames. Riots, we were reminded after Ferguson and Baltimore, are what Martin Luther King Jr. called ‘the language of the unheard.’ Beyoncé stares coldly, her face lit by the fire’s flicker, obscured by smoke. But as a sample of Isaac Hayes’s version of ‘Walk On By’ swells to its climax, she can be heard in a broken voice, crying out against her abandonment: ‘Come back!’ There are also images of support and healing. Then the music suddenly drops out into a Malcolm X speech: ‘The most disrespected woman in America is the Black woman. The most unprotected woman in America is the Black woman. The most neglected person in America is the Black woman.’ As he speaks, we see everyday Southern Black women of all ages – at the gas station, in their neighborhood, along a busy street. Their relaxed, smiling faces break up a narrative of pain. They seem to say, ‘We’re here, we are surviving.’
After a visit into Beyoncé’s past (‘Daddy Lessons’), her self-interrogation continues. ‘Why do you deny yourself heaven? Why are you afraid of love?’ Love seems to be the most impossible option. We see her crying as she lies on the floor of the New Orleans Superdome. She’s returned to the same place where she once short-circuited her Super Bowl halftime show, where eight years before, tens of thousands displaced by Hurricane Katrina, denigrated by the media, and treated as animals by federal and local authorities, sought refuge and comfort. On this Southern ground, she’s seen the power and tragedy of humanity. When the breakthrough comes, it happens in a kind of a baptism. We see her wading into the bayou waters at the head of a line of nine other women dressed in gauzy white dresses. Her moment of release comes when they look into the sun and raise their joined hands. She now has the power to break the curse, to return to her lover not as victim, but as redeemer. ‘Show me your scars and I won’t walk away,’ she sings. He must learn how to see her anew.
The climax of the film begins quietly – a gathering of beautiful young women for pictures and a feast. ‘So how we s’posed to lead our children into the future?’ an elder asks. ‘Love.’ Then a procession of powerful images begins: young women holding pictures of men who may be their fathers or grandfathers; the mothers of the fallen – Sybrina Fulton, mother of Trayvon Martin; Gwen Carr, mother of Eric Garner; Lezley McSpadden, mother of Michael Brown – holding pictures of their sons. A young girl in a Mardi Gras Indian suit rattles her tambourine as she circles slowly round two empty dinner tables, a ritual to honor the ancestors. Finally, Beyoncé turns to Jay-Z’s grandmother Ms. Hattie White, who is speaking at her 90th-birthday party, to reveal the importance of working to transform the sour into the sweet: ‘I was served lemons and I made lemonade.’ No set of images from Beyoncé – not even her standing in front of a screen that reads ‘Feminist’ – better conjures a notion of Black women as bearers of legacy, protectors of justice, caretakers of boys, men, each other, than these.
If we are to undo resegregation and racialized exclusion, some of us will have to work harder than others. All of the forms of refusal, denial, and justification that preserve the structures of privilege will have to be undone to make room for the most marginalized. We often think of revolution as something to be won in bloodshed through war and the violent seizure of power. But as Grace Lee Boggs has put it, the next revolution might be better thought of as ‘advancing humankind to a new stage of consciousness, creativity, and social and political responsibility.’ Her revolution would require us to move away from finding new ways to divide and rule, and instead move toward honoring and transforming ourselves and our relations to each other.
Beyoncé’s freedom dream is not about turning the other cheek. She riots through borders, breaks chains, ‘runs in truth.’ Her tears become flames. ‘I need freedom too!’ she cries. But her freedom is won not in bitterness and revenge, but through deep love. In the chorus of ‘Freedom,’ it almost sounds as if she were singing, ‘Women don’t quit on themselves.’ In the end, they celebrate around the table with the gifts of the garden, the antidotes discovered in the kitchens of nurturance, the recipes passed down generation by generation. The chorus of the album’s penultimate song, ‘All Night,’ suggests that the prize of reconciliation is hot makeup sex. But the verses take the song in another direction. She becomes the light to her lover’s darkness, a minister baptizing his tears. ‘Trade your broken wings for mine,’ she sings. ‘I’ve seen your scars and kissed your crime. They say true love’s the greatest weapon to win the war caused by pain.’ In granting redemption, she frees her oppressor. But forgiveness frees her too, allows her to heal from her trauma: the self-hatred, destructiveness, and suicidal depression. Her torturer is not the remedy, he’s a remedy. As the song concludes in a bloom of strings, she whispers, ‘Oh I missed you my love.’ Of course she has missed her lover. But she has also found herself. The ‘my love’ she names is also self-love.
We need to be roused to the inequity in our neighborhoods, our schools, our metro areas, our justice system, and our culture. Ending resegregation is about understanding the ways we allow ourselves to stop seeing the humanity of others. It’s about learning to look and never stopping. The film concludes with a tapestry of diverse couples in love and families at play. The South, which has been strip-mined for its real gothic horror, its brutal and violent racial ordering of life, its drama of division and death, has now transformed into a place of grace. As the Black feminist scholar Brittney Cooper put it, ‘Beyoncé’s South is hot sauce, postbellum swag, and grandmothers who remind you that you gon’ be alright.’ Yet it doesn’t feel exactly like a happy ending. As Beyoncé wanders the ruins of the war fort in her kente dress, looking and singing directly to us, we wonder about her transformation. How easily could her newly won sense of self-love be undone? Did her lover deserve her generosity? Had she simply folded? Or is this indeed grace at work? James Baldwin’s most revolutionary and misunderstood idea, notes the intellectual Robin D. G. Kelley, was that love is agency. ‘For him it meant to love ourselves as black people; it meant making love the motivation for making revolution; it meant envisioning a society where everyone is embraced, where there is no oppression, where every life is valued – even those who may once have been our oppressors.’ This didn’t mean that Blacks should capitulate before whiteness and systemic racism, but exactly the opposite. He wrote, ‘To love all is to fight relentlessly to end exploitation and oppression everywhere, even on behalf of those who think they hate us.’ Each of us is left with the question: Can we, given all the pain we’ve had inflicted upon us and that we’ve inflicted upon others, ever learn to see each other as lovers do, to find our way toward freedom for all? Redemption is out there for us if we’re always in the process of finding love and grace.